Garrett and Dan are joined by Frank Farrell to discuss one of their favorite modern horror movies, Neil Marshall’s The Descent. The boys chat about how effective the first hour is as a horror movie, and why it helps the finale that it’s so grounded for so long. They also dig into the original ending vs the American ending and how the slight differences radically change some of the thematics of the movie.
Author: Ryan Silberstein
Ryan spends his days at a company named one of the best to work for in the Philadelphia area, and his nights
as a mysterious caped vigilante saving his city from the disease that is crime watching movies. He lives on a diet consisting of film, comic books, experimental beer, black coffee, and those big metal historical markers around town. Follow him on Twitter and Letterboxd.